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	<title>Fauxthentic &#187; noted observation</title>
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		<title>Fauxthentic &#187; noted observation</title>
		<link>http://fauxthentic.wordpress.com</link>
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		<title>Happy 50th Lego</title>
		<link>http://fauxthentic.wordpress.com/2008/01/28/happy-50th-lego/</link>
		<comments>http://fauxthentic.wordpress.com/2008/01/28/happy-50th-lego/#comments</comments>
		<pubDate>Mon, 28 Jan 2008 04:38:38 +0000</pubDate>
		<dc:creator>fauxthentic</dc:creator>
				<category><![CDATA[design]]></category>
		<category><![CDATA[looking back]]></category>
		<category><![CDATA[noted observation]]></category>

		<guid isPermaLink="false">http://fauxthentic.wordpress.com/?p=21</guid>
		<description><![CDATA[http://gizmodo.com/349509/lego-brick-timeline-50-years-of-building-frenzy-and-curiosities
http://www.time.com/time/world/article/0,8599,1707379,00.html
Playing with Legos as a kid taught me how to be creative. Without knowing it at the time, I was learning to be resourceful (I never had all the pieces I wanted so I made work-arounds to get what I wanted.) And I learned how to be in &#8220;the zone&#8221; of creativity and build for [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=fauxthentic.wordpress.com&blog=985429&post=21&subd=fauxthentic&ref=&feed=1" />]]></description>
			<content:encoded><![CDATA[<div class='snap_preview'><br /><p>http://gizmodo.com/349509/lego-brick-timeline-50-years-of-building-frenzy-and-curiosities<br />
http://www.time.com/time/world/article/0,8599,1707379,00.html</p>
<p>Playing with Legos as a kid taught me how to be creative. Without knowing it at the time, I was learning to be resourceful (I never had all the pieces I wanted so I made work-arounds to get what I wanted.) And I learned how to be in &#8220;the zone&#8221; of creativity and build for hours by myself. (Years later as a graphic designer I discovered I was doing essentially the same thing only with different tools.) It was always the process of building and not so much the acting out of scenarios that I liked &#8211; which is still true today for what I do as a graphic designer and musician.</p>
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		<title>Christmas Redesign</title>
		<link>http://fauxthentic.wordpress.com/2007/12/26/christmas-redesign/</link>
		<comments>http://fauxthentic.wordpress.com/2007/12/26/christmas-redesign/#comments</comments>
		<pubDate>Wed, 26 Dec 2007 15:42:01 +0000</pubDate>
		<dc:creator>fauxthentic</dc:creator>
				<category><![CDATA[design]]></category>
		<category><![CDATA[noted observation]]></category>
		<category><![CDATA[the media]]></category>
		<category><![CDATA[Christmas]]></category>
		<category><![CDATA[Kurt Andersen]]></category>
		<category><![CDATA[NPR]]></category>
		<category><![CDATA[rebrand]]></category>
		<category><![CDATA[Redesign]]></category>
		<category><![CDATA[Studio 360]]></category>

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		<description><![CDATA[Studio 360 may be one of the best weekly NPR shows for anyone interested in the creative process. Below is a link to one of my favorite segments and its description from its website.
http://www.studio360.org/episodes/2006/12/22
Studio 360 commissioned Pentagram, one of the country&#8217;s leading design firms, to give Christmas a makeover. They came up with a new [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=fauxthentic.wordpress.com&blog=985429&post=18&subd=fauxthentic&ref=&feed=1" />]]></description>
			<content:encoded><![CDATA[<div class='snap_preview'><br /><p>Studio 360 may be one of the best weekly NPR shows for anyone interested in the creative process. Below is a link to one of my favorite segments and its description from its website.</p>
<p>http://www.studio360.org/episodes/2006/12/22</p>
<p><i>Studio 360 commissioned Pentagram, one of the country&#8217;s leading design firms, to give Christmas a makeover. They came up with a new typeface, color scheme, fir tree surrogate, and a radical proposal to channel the rampant commercialism to good ends. Pentagram partner Michael Bierut presents the plan to Kurt Andersen. </i></p>
<p>Be sure to check out their visual presentation kit as well!</p>
<p>Side note: I met Michael Bierut (and Kurt Andersen) briefly this last year at an AIGA conference. He is sort of a Wynton Marsalis for the graphic design profession in terms of respect, work, and being an industry spokesman. He&#8217;s the media&#8217;s goto source for smart commentary for graphic design developments and contributes to magazines like <i>Print</i> and his own shared blog <i>Design Observer.</i></p>
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